Last week I gave a PowerPoint presentation to members of the Canberra Photographic Society about Contemporary Photography. I promised to make the contents of that presentation available online. Here they are.
- It is a lot about today’s lifestyle and about knowing the reasons for our images and about conceptual photography
- Series are about a number of works based on an idea but the works need to be contemporary not traditional
- It is not about competition or honours. It is about challenging ourselves in our thinking and in our photography
- It is where the artist/photographer has imbued their own personal expressions/feelings of the life around them and of their own life experiences, moods, feelings into an image or series of images
Winner 2016 IRIS AWARD
First Impression © Chris Bowes
The IRIS Award is an international prize recognising new and outstanding portraiture in photographic art. The criteria for selection focuses on portraits that are unique, compelling and engaging whilst maintaining excellence in photography.
Is this a Contemporary image? Is it even a portrait? Undoubtedly, there would be various responses to those questions.
2017 Olive Cotton Award for photographic portraiture
Maternal Line 2017 © Justine Varga
This image was created without a camera. Its selection caused a great deal of controversy which, in turn, generated a lot of discussion and debate – including amongst members of the friends of APS Contemporary Group Facebook group. I welcomed the discussion. Is it a Contemporary image? I believe it is.
2017 National Photographic Portrait Prize Winner
Portrait of Richard Morecroft and Alison Mackay © Gary Grealy
Is this a Contemporary approach to portrait photography? Or is it traditional?
Scone Photographic Art Prize Winner 2018 © Anne O’Connor
It has quite a lot of white space around it because it was printed square on Velin Rag paper within an A3 matte. A Contemporary image? Yes, in my view.
2018 Moran Contemporary Photographic Prize Winner
Zach (standing in front of his friend’s home in “The Pines”
– an Australian town that sits on the fringes of society) © James Bugg
This competition requires entries to be Contemporary. So, clearly, this is considered Contemporary. I had no idea where “The Pines” was located. Dr Google suggested it was on the Yorke Peninsula in South Australia. However, I’ve since learned that it is actually a precinct within the outer Melbourne suburb of Frankston North.
From the Photo Access exhibition “Horizons – Earth and Water” © Marie Lund
Created without a camera, generated by sunlight. When I was 9 years old I was creating images by sunlight – albeit by putting film negatives in contact with photographic paper in sunlight. In my view this image is very definitely Contemporary.
Earlier this year members of APS Contemporary Group invited to produce two dimensional self-portraits that did not include their face and submit them for exhibition. This arose following the debate mentioned earlier regarding the portrait winner of the Olive Cotton.
From the faceless self-portraits that I created I submitted three and am currently waiting to hear which (if any) the adjudicators will select. Here they are together with their accompanying artist statements.
Graffiti artists constantly have the looming threat of facing consequences for displaying their graffiti. Many choose to protect their identities and reputation by remaining anonymous. With the commercialization of graffiti, in most cases, even with legally painted “graffiti” art, graffiti artists tend to choose anonymity. Being a graphic form of art, it might also be said that many graffiti artists still fall in the category of the introverted archetypal artist. So, if I was a graffiti artist (introverted or not), I wondered what my tag, or artwork, might look like. I came up with this image to represent myself. It incorporates my hand plus a “word” which is a play on a nickname I had in my school days. Acknowledging that I am an inexperienced graffiti artist or writer (a Toy), the piece is crossed out with the word “toy”.
Lovers sometimes carve their initials inside a heart shape on a tree, thus sharing something about themselves to all who later see their artwork. Rather than carving an actual tree, here I have superimposed my initials and those of my wife inside a heart shape on my image of a tree. The peeling bark and other changes in the tree’s surface since the “carving” was made have obliterated much of it, but those who know me will still read a little about me (and her) in the image.
A traditional portrait only shows what we look like at a moment in time when it was taken. An environmental portrait reveals more because it includes something of the environment in which we live or work. This composite image portrait seeks to show the viewer much more by featuring a selection of “waypoints” throughout my life from its starting point through to the present. Each “waypoint” is “attached” to a rope (reflecting my surname) and everything is overlaid on a photograph of a piece of road (representing my life journey). The viewer who studies the image will see places where I have lived, schools I have attended, people who have been a significant part of my life at various times, images revealing things that have been important to me, items that I have made and photographs of significance for me. The future journey is unknown – as in the past there may be unexpected paths to be followed. Viewers will, of course, have difficulty understanding the complete story behind some of the elements incorporated in the portrait, but will interpret it for themselves.
OK let’s look at some other individual shots of mine:
Contemporary because of the bumper sticker and the “today” spare shoes decorations. (If the driver really is Gay, shouldn’t the spare shoes be in rainbow colours?)
Listening – who to? What is being said? Who else is part of the conversation? What is the relationship between these two and others speaking or listening? In other words, what is the story in this captured image?
In safe keeping. The bottle of beer that is.
Contemporary because it shows today’s penchant for keeping phones in back pockets and also shows a little of what we consume? (And someone in the audience suggested it was also contemporary because it showed the current style of deliberately faded seats on the jeans.)
Contemporary because it isolated an item and provides no real context?
Contemporary because it shows the decay of a section of the building but not the whole thing in context?
Contemporary because it shows how today’s people need to incorporate popular culture into everything?
Now let’s look at some series, again my images:
From the series “Skies”
Five views of (essentially) the same section of the sky at different times and during differing weather conditions.
From the series “From Moving Vehicles”:
A short un-named series captured in a darkened room lying in bed:
What is there beyond the nearby pillow?
Sunlight penetrating above the curtains reveals little inside
but shouts that the outside is very bright.
Further into the room there are just glimpses where the sunlight catches the edges.
Below the curtains and under a closed door the light barely penetrates.
Between curtain drops little is revealed
other than a glimpse of familiar hanging souvenirs.
Through an open door the light beckons from another room
beyond the unused exercise bike.
From an un-named series taken as I walked out from the AIPP judging recently:
This and other arrows had been placed there obviously to show the way in but when I spotted them on my way out I thought I’d capture something of my journey out showing not only the arrows but also other “markers” along the way.
Don’t trip, then wipe your feet twice.
There’s a step to the left.
And steps going up.
Let the light show the way.
Going around in circles now.
Back that way.
Anyone for hopscotch?
Diamonds through that door.
It’s clearly this way.
Finally, some links for those who are interested:
Things to read and consider:
Monash Gallery of Art – Australian home of photography – https://www.mga.org.au/
Foto Relevance Deep Focus – Appreciation, History and a Place in Contemporary Photography – https://fotorelevance.com/deep-focus/
Pat Brassington: the body electric – One of Australia’s most influential contemporary photo-media artists – https://www.artgallery.nsw.gov.au/media-office/pat-brassington/
Essay: The Art of Photography – https://writingcreativenonfiction.wordpress.com/2014/05/01/essay-the-art-of-photography/
Groups to join:
Friends of APS Contemporary Group – https://www.facebook.com/groups/1259990940713900/
and the Contemporary Group of APS itself –